Is there a solution for Chicago’s winter transit woes?

A photo of Christopher Judge as Teal'c appears next to the following text: A friend of mine describes the Chicago 'L' as something akin to Stargate's wormhole network: A transportation system built by a long-vanished civilization whose motivation and technology we still only barely understand. "Indeed>"

As Chicago grapples with winter, the performance of Chicago Transit Authority rail service during challenging weather conditions has again been scrutinized.

Despite the CTA’s extensive preparations for winter, including implementing track switch heaters, equipping railcars with sleet scrapers and snowplow blades, and deploying special “sleet trains” to remove snow and ice, there have been disruptions in service.

The most notable was the temporary suspension of the Orange Line service due to a derailment. This highlights the ongoing struggle of the CTA to maintain seamless operations during extreme weather despite their evident efforts to prepare and respond to these challenges.

The CTA’s snow-removal process, crucial for ensuring safe and accessible transit, involves a coordinated effort across different entities. While the CTA is responsible for clearing its properties, including rail stations, bus turnarounds, and transit centers, clearing bus stops and shelters often falls under the jurisdiction of local municipalities or adjacent property owners. This division of responsibility can sometimes lead to confusion and frustration among transit riders, especially when areas leading up to CTA properties are inadequately cleared.

Amid these operational challenges, the CTA continues to emphasize its affordability, positioning itself as a budget-friendly transportation option for Chicagoans. With various payment options and unlimited ride passes, the CTA seeks to offer an economical alternative to private transportation, especially for events and regular commutes across the city.

Issues faced by the CTA, particularly in weathering Chicago’s harsh winters, raise questions about the adequacy of funding, staffing, and overall infrastructure investment.

This is perplexing considering Chicago’s political alignment and historical significance, being a stronghold of the Democratic party and the home of a two-term president. The juxtaposition of Chicago’s political clout and the CTA’s struggles points to broader issues in urban infrastructure and public transportation funding.

Why, in a city that has been a significant player in national politics, does its public transportation system seem perpetually caught in a cycle of underfunding and underperformance, especially in times of need such as during severe weather events”

Sure, the CTA could improve by ensuring that all entities responsible for snow removal are perfectly synchronized — but this is beyond the agency’s power.

Therefore, it may be time for a comprehensive review of CTA funding, resources, and operational strategies, particularly in light of the recurring issues during inclement weather. Such a review could focus on enhancing coordination among various municipal entities for more effective snow removal and exploring technological innovations for better winter weather preparedness.

Further, it’s worth questioning why the CTA struggles with these recurring issues despite Chicago’s political influence. This situation could reflect a broader pattern in urban politics, where local issues like public transportation often don’t receive the attention or funding they require, despite the city’s significant role on the national stage.

In a city renowned for its political history and contributions, the state of its public transportation system seems incongruous. This paradox might suggest a need for a renewed focus on local infrastructure issues, ensuring that the city’s transportation network is robust, resilient, and adequately funded to meet the needs of its residents, regardless of the weather or other challenges.

The CTA’s struggle against Chicago’s harsh winters is not just a matter of inconvenience; it reflects deeper issues in urban infrastructure, funding, and political priorities. As residents face the brunt of these challenges, it becomes increasingly clear that a strategic overhaul may be necessary to bring about the much-needed improvements in the city’s public transportation system.

Chicago should cancel NASCAR event

Illustration featuring logo for NASCAR Chicago Street Race Weekend.

Well, folks, it’s almost time to roll out the red carpet — scratch that, checkered carpet — for the NASCAR Chicago Street Race.

Isn’t it grand? This weekend, dozens of good ol’ internal combustion chariots will roar through our streets, their finely tuned engines belching plumes of hydrocarbons like there’s no tomorrow.

Folks, Chicago’s air quality this week is already making the Great Chicago Fire of 1871 seem like a fondly remembered barbecue. The smoke might have been thick back then, but at least it wasn’t laced with enough pollutants to choke a horse.

And yet, Mayor Brandon Johnson, no stranger to stepping in front of a camera and spouting the latest buzzwords about climate action and environmental protection, seems to think this is all dandy.

“We must take drastic action to mitigate these threats and ensure that every Chicagoan in every neighborhood has the resources and protection they need to thrive,” he said the other day about our malodorous Canadian air.

A powerful statement, wouldn’t you say? I nearly teared up at the sincerity.

I couldn’t help but notice that the mayor’s definition of “drastic action” doesn’t seem to extend to doing anything drastic like restricting vehicle use during our current eco-crisis or nixing the NASCAR shindig.

Here we have our city’s highest official lecturing us about the environment while hosting an event that’ll contribute more to the air pollution problem in a single afternoon than my dear old Aunt Edna’s ’79 Pinto ever could.

Sure, I get it. NASCAR brings in the bucks. The tourist dollars flow. But at what cost? We’ve got kids in this city whose lungs have never known clean air — inside or outside — and we’re inviting in a pack of revved-up gas guzzlers.

So, Mr. Mayor, if your progressive rhetoric means anything, why not take a real stand?

Cancel the NASCAR Chicago Street Race.

Typewriters highlight museum exhibit

Photo of several people using some of the eight typewriters available for visitors to try out at the American Writers Museum in Chicago.
Test driving typewriters is a big attraction at Chicago’s American Writers Museum, which just opened its “Tools of the Trade” exhibit.

Oops! Never mind my comment below about the birthyear of Gwendolyn Brooks’ Hermes Rocket. I totally misread that as “1954.” It actually is from 1964 — and I wish I were of a similar vintage!

This photo of a typewritten page shows the following. Saturday, June 22, 2019, Chicago, USA. Smith-Corona Silent—Super; 1954; Pica. Museum exhibit is just my type. Thanks to my ex-boss Laura Strom, I got to accompany her to the preview of a new exhibit at Chicago's American Writers Museum called Tools of the Trade. It’s about typewriters mostly. In addition, visitors can test drive the actual models that  are featured in most of the displays. I especially enjoyed trying out an Olympia SG—1 and appreciated its snappy, powerful operation. Another outstanding model on view for testing was a Smith—Corona Super Sterling whose incredible response surprised me. As for the behind—glass typewriters once owned  by famous folks, the most amazing one was a 1902 Bar-Lock owned by Jack London. The thing looks like an Enigma machine — there are separate keys for upper- and lower-case letters. There's a 1926 Underwood 4-Bank once owned by Orson Welles that I found particularly interesting since its keys are so tiny that I can’t possibly imagine Orson managing to have plunged his sausage snappers onto them with any degree of accuracy. Other celebrity machines on view once were the prized possessions of Truman Capote, Gore Vidal, Ray Bradbury, and Mae West. My favorite celebrity typewriter was the Hermes Rocket owned by Gwendolyn Brooks — made in 1954  just like me! There’s also a 1939 Royal Portable DeLuxe owned by Jerry Siegel, co—creator of Superman. This exhibit is definitely worth seeing.

Museum display shows Gwendolyn Brooks' Hermes Rocket typewriter. The typewriter is streamlined and graceful, just like Brooks' writing.

Museum display shows Jack London's 1902 Bar-Lock typewriter. This machine bears little resemblence to later typewriters and has separate keys for uppercase and lowercase letters, as well as keys for numbers seemingly scattered at random. It could pass for a spy coding and decoding device.