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L.T. Hanlon

Category: Publishing

Using the Hovel pencil sharpener

June 20, 2020 L.T. HanlonLeave a comment
Hovel pencil sharpener.
Typewritten text of the following. GETTING RIGHT TO THE POINT.
I just acquired a Hovel pencil sharpener. It's essentially a small wood plane that you stroke over a pencil's casing and lead. I never was any good at using normal-size planes, so perfecting my Hovel technique is taking a little work. With patience, it's possible to create a longer, sharper point than with most conventional sharpeners. In the photo above, I used a Kum Masterpiece on the yellow Blackwing and the Hovel on the Blackwing 602. Thanks to my pals Andy Pierce and Frank Mariani for letter me know about the Hovel sharpener! Olympia SM7 - Pica No. 12

Check out Frank Mariani’s art, editorial cartoons, and more.

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Should typecasts have a standard format?

August 12, 2019August 12, 2019 L.T. Hanlon7 Comments

This photo is of a typewritten page with text that can't be easily duplicated in linear form that doesn't have line breaks. Basically, I discuss whether typecasts should have a standard design and whether headlines, dates, or typewriter used should presented first.

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Serif or sans serif?

May 14, 2019May 14, 2019 L.T. Hanlon7 Comments

Photo is of a typewritten page with the following text, which varies between serif and sans serif typefaces. Tuesday, May 14, 2019. Chicago, USA. To serif or not to serif. I've always preferred using a serif typeface for body text; the legs and feet just always seemed to make it easier to read. At newspapers where I worked, the house style often dictated serif for body type and sans serif for captions. The exception was so-called advertorial, aka advertising designed to look like real news. This usually employed sans serif for body type as a way to make it appear different from regular news content. In my experience, however, serif or sans serif never made that big a difference when it came to editorial vs. advertorial because most newspaper readers have been — and continue to be — unaware of the difference. But I have warmed to the quasi-sans typeface used in this Hermes 3000 typewriter from 1968. Its typeface, Techno Pica, feels like a serif face sometimes and sometimes like a pure sans serif. Only a few letters sport serifs, others don't — but I 'm unable to figure why. The photo shows an example of Techno Pica typeface, which is mostly san serif except for a handful of exceptions. I can sort of see why the serifs. You don't want a lowrcase ell to be mistaken for a sans serif numeral one. So in Techno Pica, both are unique. Tis a mystery.

 

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