From bias to balance: Google’s Genesis could pave the way

Cartoon shows two smiling humans work with their AI partner in a newsroom.
Humans and AI working together could save the news business.

In today’s world, many news stories are influenced by personal views or politics. This is a big problem for the news business. Now, Google has made Genesis, an AI bot that writes news. This might be a big step toward information that is fairer.

When we talk about “fair” news, we mean information not influenced by views or politics. Readers should be able to make their thoughts based on the facts. Recently, communication has become more influenced by personal or political beliefs.

AI, like Genesis, has no political or personal views. It doesn’t have feelings that can cause it to be biased like humans. AI uses algorithms to find, sort, and show data. It doesn’t form views.

Genesis can mine many data sources and find, sort, and show it faster and on a larger scale than humans. It can check these sources for facts and make complete, balanced reports without views or slants. This not only means more topics can be covered but also that the points stay true.

However, can pick up biases from the data it uses to learn. For example, if an AI uses a lot of data from one political view, it might show that view in its work. So, the people who make and use AI have a big job to ensure the data is fair and the AI is used correctly.

Also, AI can’t replace human news writers. Genesis is good at finding and showing facts, but humans understand feelings and complex ideas better. The best way forward might be for AI and humans to work together: Genesis can give the points, and humans can provide the meaning and tell the story.

Genesis is a big chance for the news business. News that is just facts could make people trust information again. However, it is essential to remember that AI is a tool, not a magic fix. Making sure news is fair requires hard work and care from those who create and use AI. If we use Genesis correctly, it could start a new time of unbiased news.

If we use AI like Genesis thoughtfully, we could move the news business away from views and back to truth and fairness. In a time where false news and over-dramatic stories have made things unclear, AI could be the guide to help us understand the world fairly and clearly.

Teeing off with Tesla, landing in the rough with Hitler

AI generated image intended to show Nikola Tesla playing golf during a lightning storm. According to the artist who created the image, Tesla sort of looks like Hitler.
Nikola Tesla or Herr Schicklgruber? You be the judge.

Once upon a time, I embarked on a noble journey as an artist, intending to shed light on a misunderstood genius from the past. Little did I know that this artistic adventure would lead me into an unexpected situation.

The protagonist of this story is none other than myself. The misunderstood genius I sought to portray is the legendary Nikola Tesla, whose knowledge lay in lightning rather than in perfecting his golf swing.

Now, here’s where things took an unforeseen turn. Alongside the vision of Tesla playing golf, I inadvertently generated an AI-created image that, by chance, bore a passing resemblance to Adolf Hitler, the infamous turd who made the world his punchbowl.

I must emphasize that there is no actual historical or factual connection between Tesla and Hitler.

My idea was to present Tesla in an unusual setting, breaking free from his usual lab environment and having a playful moment on the golf course. The irony of such a depiction was an intriguing creative challenge, a project worth sharing.

So, I enlisted the help of my AI bot assistant and provided the following prompt:

“Create a photorealistic HD 8K portrait of Nikola Tesla on a golf course, with lightning striking dramatically in the background. The photo should be set in 1930, using 2-color Technicolor, depicting a stormy day with ominous clouds in a 16:9 aspect ratio.”

As you can see, the outcome sort of captures Tesla’s essence but also somewhat sort of resembles Hitler. (It’s essential to clarify that the similarity in the AI-generated image is purely coincidental.)

Similarly, odd coincidences show Barack Obama resembling Clutch Cargo, J.J. Abrams and Rachel Maddow seeming to have been separated at birth, and Paul Revere looking like either Bob Hope or Jack Black.

Does Barack Obama look like Clutch Cargo? You be the judge.
Were Rachel Maddow and J.J. Abrams separated at birth?
Does Paul Revere look more like Bob Hope or Jack Black?

Exploring dystopia: Does real beat supernatural?

Midjourney-created faux photo shows ruggedly handsome U.S. Army sergeant troubled by what he sees happening at a FEMA security checkpoint in Colorado.
Midjourney helps authjors create compelling photorealistic illustrations.

Many opportunities have opened up in today’s rapidly evolving technological landscape, especially in storytelling.

I’ve traditionally relied on words to tell stories and painted pictures with linguistic artistry. However, I now find myself captivated by the possibility of an innovative form of storytelling that combines the power of words and the allure of visuals.

I’m thinking about creating a dystopian series.

Why?

First, I enjoy the genre. It’s as simple as that.

Second, part of my affinity for dystopian narratives stems from their popularity, a phenomenon that rivals, or perhaps even surpasses, the cultural fascination with zombie and vampire sagas.

A peculiar allure in dystopian stories captivates audiences on a profound level. These narratives, with their grim yet thought-provoking depictions of the future, are compelling in their ability to entertain and pose crucial questions about society, humanity, and our collective future.

In contrast to the fantastical elements of vampire and zombie lore, the dystopian genre is grounded in a stark, often chilling, potential reality. This potential for plausibility contributes to their widespread appeal and my fascination.

The amalgamation of evocative words and realistic images will only amplify these dystopian tales’ compelling nature.

The advent of Midjourney sparked my imagination. This AI bot offers the ability to create astonishingly realistic imagery, which could be a powerful tool for breathing life into the desolate futures I craft.

The thought of generating visual landscapes to go along with my narratives is exhilarating. I envision a book where the words and images are intertwined, exploring a sorrowful future world. The text would narrate the struggles, while the illustrations would lend actual shape to that narrative.

I’ve already begun experimenting with Midjourney, building a tableau of the future. I’ve included some early idea images.

What are your thoughts about this? It is a hybrid book containing narratives and visuals set in a dystopian future.

Does it resonate with you?

Midjourney-created faux photo shows a young deputy sheriff and an older rancher talking about why United Nations troops would be in southeastern Colorado.
Do you remember Fotonovels? I always liked how they handled dialogue.

Midjourney-created faux photo shows a coujty official being arrested by United Nations forces. You can create anything with an AI bot.
The range of characters becomes unlimited, thanks to Midjourney. I feel as if I’m casting a movie.

Lotteries: The get-poor-quick scheme governments love

Fanciful drawing of a pudgy little boy holding a lollipop. The boy has a dejected, disappointed look on his face. Meaning: You're a sucker if you play the lottery. Image created by Midjourney.

As a copy editor at a renowned media corporation, I honed an undeniable fascination with words and their potent implications. One phrase that particularly resonated with me is “lottery fever.”

As innocuous as it may sound, this term signifies a societal epidemic concealed beneath a thin layer of harmless amusement.

Every time the jackpot number surges toward unprecedented figures, multitudes find themselves irresistibly drawn to buying a ticket, myself included. But let’s put our reservations aside and dissect the impacts of government-sanctioned lotteries.

At first blush, lotteries seem beneficial. They are touted as significant revenue generators for education, social services, and other public sectors.

However, delve deeper, and a far grimmer picture emerges.

The bulk of lottery sales comes from disadvantaged communities; it is a regressive tax system in disguise. The poorest households spend much of their income on lottery tickets, fueled by an elusive dream of instant wealth. This perpetuates a vicious cycle of poverty, as those who can least afford to gamble are those who play the most.

Government-sanctioned lotteries project an insidious image of gambling as a benign pastime, a legitimate form of entertainment.

But it’s more than buying a ticket and waiting for the draw. It fosters an unhealthy relationship with money, instilling the dangerous belief that prosperity can be reached with minimal effort. This mindset discourages productive work and financial discipline, further disadvantaging those in the lower economic strata.

Studies have also shown that lotteries contribute to problem gambling.

The National Council on Problem Gambling reports that 10-15% of young people have experienced significant gambling-related problems. Not only does this harm individuals and their families, but it also burdens our health and social systems.

Some might argue that lotteries provide funding for beneficial social programs. But is it ethical to fund these initiatives on the backs of those most in need? There must be a better way to support our communities than by exploiting the vulnerabilities of our most disadvantaged citizens.

We should strive to foster an environment that promotes hard work, financial discipline, and realistic paths to success rather than selling pipe dreams.

Instead of endorsing the practice of gambling, we should focus on empowering communities, providing adequate education, promoting affordable housing, and other sustainable measures that would lead to a lasting upliftment of society.

As we navigate these convoluted waters of chance and fate, let’s not forget the actual name of this venture. No amount of euphemistic packaging should mask the truth of what lotteries genuinely are.

Lotteries are not “gaming,” an activity connoting fun, engagement, and skill. They are “gambling,” a practice that implies risk, potential harm, and exploitation of the vulnerable.

The next time the lottery pot swells to massive proportions and the feverish excitement sweeps across the state, step back and reassess the actual cost of that ticket. The gamble is not just financial; it’s societal, too.

And let’s call a spade a spade: It’s gambling, not gaming.

Bonus read: Why it’s not worth it to play the lottery

From pixels to pinkies: An ode to Midjourney’s mesmerizing mastery

My test-driving of Midjourney reveals an occasional finger problem. Check out the digits on the woman’s left hand.

Today, I’m going to gush about my newest artistic obsession that’s been occupying a sizeable chunk of my screen time lately.

It’s Midjourney, a talented bot that creates a dizzying range of artwork and photos. Now, don’t roll your eyes just yet. I know we’ve all seen art bots before, but I assure you, Midjourney is something else.

I’ve been on a Midjourney binge recently, and its capabilities spellbind me. It specializes in conjuring the unbelievable: photo-realistic images. Yes, you heard me right, photo-realistic.

I kid you not; this bot’s images have me questioning reality. If a bot can replicate reality perfectly, what does that say about our perception of the world?

Chew on that.

However, like the awe-inspiring cosmos, Midjourney isn’t without its quirks. Users need to be on the lookout for one occasional idiosyncrasy: strange fingers.

I can’t help but be reminded of the aliens from the 1960s classic series “The Invaders.”

For those too young to remember, architect David Vincent, the lead character, fought off these strange extraterrestrials who were perfect human replicas — except for an occasionally mutated pinkie finger.

In a strangely delightful twist, maybe Midjourney is channeling that alien charm. Who knew art and vintage sci-fi could find common ground in a bot?

Each Midjourney creation arrives with a dose of anticipation. How will the fingers turn out this time? Will it be a subtle shift, a gentle warping of reality you might miss if you aren’t looking closely? Or will it be a glaringly apparent alien appendage daring you to accept this new version of reality? It’s a little thrill that keeps you coming back for more.

All fun and games aside, in my experience, the funky fingers only show up a small percentage of the time.

So, if you’re ready for a wild ride that combines art, AI, and a sprinkling of sci-fi nostalgia, join me in exploring Midjourney.

Midjourney is here, and it’s time we embrace these strange new frontiers — fingers and all.

2 crazy road trips, 1 wild ride: ‘It’s a Mad, Mad, Mad, Mad World’ and ‘Honky Tonk Freeway’

Fake photo craeted in Midjourney shows a poorly conceptualized Ethel Merman and Beau Bridges sitting on tires for a proposed crossover of "It's a Mad, Mad, Mad, Mad World" and "Honky Tonk Freeway" called "Don't Make Me Mad: Tickle Me Ticlaw."
Independent producer R.J. “Red” Bunnysucker uses Midjourney to poorly conceptualize Ethel Merman and Beau Bridges in his proposed crossover of “It’s a Mad, Mad, Mad, Mad World” and “Honky Tonk Freeway” called “Don’t Make Me Mad, Ticlaw Me Pink.”

In the wild ride of movie history, two films stand out. They are “It’s a Mad, Mad, Mad, Mad World” from 1963, a funny-as-hell fling from Stanley Kramer, and the darkly amusing 1981 flick “Honky Tonk Freeway” by John Schlesinger.

The first was a hit; the second a shit.

But both tell us a lot about America’s free spirit.

Both movies love the open road. The road trip, the ultimate symbol of freedom, is where all the human drama plays out. In “Mad World,” a mad dash for hidden cash is not just about the money but the journey. “Honky Tonk Freeway,” however, puts a little town named Ticlaw under the microscope, showing us a small slice of American capitalism, where an off-ramp from the freeway becomes a dream.

“Mad World” is all about how crazy people can get when there’s money involved. It pokes fun at our money-obsessed society with its colorful cast of comic stars, each showing a different side of our pursuit of wealth.

“Honky Tonk Freeway,” though, takes a different angle. It’s like a wild photo of 1980s America, full of excess. Ticlaw is a small town chasing after every tourist buck it can, even if it means selling its soul. It’s a funny but sad comment on how far we’ve taken the American Dream.

These two movies meet at the intersection of comedy and critique. They use the ridiculous to show us the real. If “Mad World” offers the mad rush after World War II to get rich, then “Honky Tonk Freeway” laughs at the neon greed of the ’80s. They’re like funny pictures of their time, showing us that the American Dream is often a wild chase after nothing.

But here’s the thing: Even while they’re poking fun, these movies still show love for the American Dream. They’re not making fun of the dream but how silly we can get about it. Both find humor in our mistakes and show that we never give up trying for something better. They’re not mean, but a therapy: laughing at ourselves helps us understand ourselves.

“It’s a Mad, Mad, Mad, Mad World” and “Honky Tonk Freeway” take a good, hard, but loving look at America and our love for the open road.

By showing us the human spirit chasing after success, they reveal our shared journey’s funny and silly side. So as we keep traveling our roads, let’s remember to laugh at the side trips, respect the speed bumps, and enjoy the wild show that is this crazy, crazy, crazy, crazy world.

Hey, y’all! It’s real-life ‘GTA’ in Arkansas!

Midjourney-created line drawing of a highway patrolman standing next to his patrol car.

In an exciting example of the power of a positive public image, the Arkansas State Police have become online stars.

An assortment of YouTube videos features the state’s troopers immersed in law enforcement. These videos, offering an unfiltered perspective, provide a far more intricate view than popular TV programs such as “Cops.”

The videos, which seem to have been made accessible via Freedom of Information Act requests or, perhaps, a deliberate public communication plan, apparently are compiled and posted by YouTube channel owners, not Arkansas officials.

Among these videos, the high-speed pursuits grab viewers’ attention. Many conclude with a trooper skillfully executing a Precision Immobilization Technique (PIT) or a Tactical Vehicle Intervention (TVI), successfully forcing fleeing vehicles off the road.

Trooper Jacob Byrd, affectionately known as “The Byrdman,” has earned praise from viewers for his impressive maneuvering. The guy’s an online phenomenon.

Naturally, the question arises: Why do drivers risk trying to evade law enforcement?

Outstanding warrants or legal issues — Individuals with existing warrants or legal issues might try to flee to avoid immediate apprehension.

Carrying illicit substances or objects — Those involved in unlawful activities or transporting illegal goods or substances might try to outrun law enforcement to avert detection and possible prosecution.

Lack of proper documentation — Drivers without valid licenses, insurance, or vehicle registration might try to escape, hoping to sidestep penalties for these infractions.

Impaired judgment — Substance abuse can lead to poor decision-making, and inebriated drivers may irrationally evade the police.

Fear or panic — Basic fear or a sudden panic response could cause a driver to flee the scene after spotting law enforcement.

They’re idiots — If you’re like me, you’ve long concluded that although people are basically good, they’re basically stupid. Don’t believe me? Just look around you. (I’ll wait.)

The world of high-speed police pursuits does carry a certain level of excitement. Who hasn’t been riveted while watching a car chase unfold in a film or broadcast live on TV? It’s akin to a high-stakes chess game on wheels, where every tactical move and countermove has immediate, real-world consequences.

It isn’t hard to believe that some police officers might even feel a grudging respect for the driving abilities of these audacious motorists, much like a seasoned athlete might respect a formidable adversary.

However, remember that while these situations might provide compelling action movie scenes or gripping news footage, they unfold on actual streets among real individuals. The risk factor is high, and law enforcement’s primary goal remains to ensure public safety.

In one Arkansas State Police video, after a suspect is pulled from his high-performance car, he declares: “I’m just saying I could’ve had y’all. Yeah, that was fun, though, wasn’t it?”

The troopers assure him it was not.

Suggested YouTube channels

Arkansas Police Activity

Code Blue Cam

Florida Cop Cam

Natural State Transparency

Police Pursuits

Sweden’s NATO gambit: Masking social challenges with geopolitics?

Midjourney-generated cartoon drawing of Swedish folklore gnome Tomten.
It takes a boatload of kronor to get Tomten ready for war.

Sweden’s potential NATO membership has spurred many geopolitical debates, but let’s consider another possible motive: It’s a maneuver to shield their high-cost social programs.

Sweden could lean on collective defense by joining NATO, freeing up some of its military budget for their costly social programs.

Sweden’s NATO interest could be a shrewd attempt to offset the costs of its domestic policies. It reveals a deft juggling act between military obligations and internal priorities, often glossed over by the high-drama narratives of geopolitics.

Yumpin’ yiminy! That’s a pricey Swedish meatball!